|Summarising the whole story of Durham Cathedral's organs is something of a tall order. What short-cuts can be made without compromising accuracy? Here I offer an aperitif; those seriously interested in the full record of the many known organs in and around the Cathedral precincts, with an extended appreciation and complete details of the present organ, are recommended to seek out the illustrated 64pp booklet first published by the Dean & Chapter in 1991, now re-printed, and available for purchase from the Cathedral Bookshop. For the impatient, the present organ's stoplist can be found occupying megabytes elsewhere on the Web.|
|Early reports are uncertain, but it would seem there has been an organ or organs in this building for over 700 years. Occasional references are to be found in the Priory Rolls, and a retrospective account of the life and appearance of the Priory Church before the Dissolution in 1539 describes five organs in different positions. That "ouer the quire dore" is compared with the finest in England. Two of the smaller organs survived into troubled 17th century times.|
|The main organ on the Quire screen was replaced in 1621 by
who built a number of prestigious instruments including that for Kings
College Cambridge. Dallam case fronts survive in Brittany and England
this day. Might the Durham organ have looked as imposing as one of
At the Restoration in 1660, there was nothing to salvage, and after using temporary "little Organs...that came from London", a new organ was ordered from another of the Dallam dynasty, George, newly returned from France. It would seem this was a two manual, or double, organ of 13 stops, and cost £550, being finished for Christmas 1662.
|George Dallam's instrument did not last or was soon outmoded,
Chapter contracted in 1683 with the King's Organmaker, Bernard
Smith, for a "good, perfect, laudable and harmonious great Organ and
Organ [17 stops altogether] with a case of good, sound and substantiall
Oak wood..." for £700. In fact targets were missed, the organ not
being finished until summer 1686, and it cost rather more, though with
extra stops and more innovation than planned. Arguably this was one of
Smith's finest organs, an impressive sight on the screen - "so good and
sound mad as anny is in the holl worrelt". The few relics that survive
- the Chaire case in the Castle, the reconstruction of the west front,
and a few scattered ranks of pipes - are a sad reminder of what has
In all respects a notable instrument, this lasted nearly 200 years until finally removed in 1873. En route there had been additions and alterations too numerous here to elaborate, and a disastrous transfer to the north Quire aisle in 1847.
During Scott's restoration of the Quire area, 1873 to 1876, a hired 2m Gray & Davison organ sufficed. This subsequently transferred to a church in Middlesbrough now closed, and now resides, though modified, in the west gallery at St.Peter's, Redcar.
The present organ
Willis's opus - the basis of the present instrument - was
in part from the re-opening ceremony on St.Luke's Day 1876, though
completion was not achieved until March 1877. Of 55 speaking stops on
the new organ cost £3150 and was thoroughly up-to-date, a first
creation of a singularly successful Victorian organ-builder. The
pipe-fronts, decorated by Clayton & Bell with oak carving by Roddis
of Birmingham, under the direction of architect Hodgson Fowler, were
denigrated as "rolls of linoleum", but are now recognised as splendid
of their kind, and successful in giving the effect "of a rich
ostentation". Aspects of the organ's design and construction,
the pneumatic action, integrating separate elements across the Quire,
the hydraulic blowing arrangements, tested the limits of the technology
of the time, and were to be the first parts to falter. Gas engines soon
replaced the hydraulics, but then fumes corroded parts of the action
pipes, such that a major overhaul was required by 1903.
Father Willis was no more, and the work - which grew in concept - was awarded to the then up and coming local firm, Harrison & Harrison, in whose loving care the instrument has since remained. Certainly a lasting reputation for excellent work was made with the reorganised and altered Durham instrument reopened in July 1905. Although no new stops were added at that time, they were planned for and eventually added in 1935 when other changes were effected, to make a four manual organ of 77 speaking stops and 20 couplers. This was again rebuilt, expanded, and rearranged, with electro-pneumatic action provided throughout, in 1970. It now comprises 98 speaking stops in 7 divisions, utilising a comfortable console of 4 manuals and Pedal, and occupies the two westernmost bays either side of the Quire, within the arcade with the exception of the Solo in the north triforium. The upkeep of such an enormous and complicated piece of equipment continues.
The organ is now complete enough for most tastes, the "Father" Willis organ extensively rebuilt, enlarged and re-voiced by Harrison & Harrison, and is justly renowned, widely acclaimed as a masterpiece of Romantic organ-building, one writer enthusing "..Superb voicing, excellent acoustics and an incomparable setting all contribute to make it one of the great treasures of the English speaking world". If you don't believe it, come hear and experience the thrill for yourself.
The organ is divided both sides of the quire, with the Great behind the decorated casefront and the Choir with Positive over in the first bay on the south side, whilst the Swell (in the case), Solo (in the triforium above), the Bombarde (hidden in the first bay - behind the Dean's stall!), and most of the Pedal are situated on the north side. Envy the organ stoplist on-line; soundbites do not do it justice.
Richard Hird [www.duresme.org.uk]
More about Durham Cathedral organs:
Booklet * Present Stoplist * Recitals * The organists * Armes centenary * Father Smith gallery
Simon Fitzgerald's page (more pictures)
The Cathedral Website (including forthcoming service music, and diary of events)
|Richard Hird is co-author with James Lancelot, the Cathedral Organist, of the definitive booklet referred to above, being also locally Organs Adviser to the Diocese of Durham, and recognised inter alia for his researches into and knowledge of Durham organs past and present.|
First placed by Richard
: September 1997